{"id":174,"date":"2026-03-20T20:30:45","date_gmt":"2026-03-20T20:30:45","guid":{"rendered":"https:\/\/www.fabriziosantona.com\/?page_id=174"},"modified":"2026-03-25T21:41:16","modified_gmt":"2026-03-25T21:41:16","slug":"most-o","status":"publish","type":"page","link":"https:\/\/www.fabriziosantona.com\/en\/most-o\/","title":{"rendered":"Most-O"},"content":{"rendered":"
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MOST-O<\/h1>\n

Theatre Method<\/strong><\/p>\n

MOST-O is not theatre, nor therapy, but a field of experience developed
\nthrough long-term practice within psychiatric, educational and cultural contexts.
\nIt operates as an autonomous method between contemporary art,
\nrelational processes and transformation, and continues today to generate academic
\nresearch and thesis work.<\/p>\n

There is no script or imposed narrative.
\nThe work begins with the body and the senses, allowing experience to emerge without
\nbeing interpreted or corrected. What appears is not representation,
\nbut the trace of an encounter.<\/p>\n

MOST-O exists in a threshold condition between art and rehabilitation,
\nbetween presence and form.
\nIt does not describe the human condition, but creates the conditions for it to surface.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t

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